Jump to content

Zareh Nalbandian


MosJan

Recommended Posts

Zareh Nalbandian

 

ROM SHOT MAKER TO FILMMAKER

Zareh Nalbandian has worked with, for and among filmmakers for 30 years; but now, with his collaboration as an executive producer with George Miller on Happy Feet, he’s truly one of them, and that means story is king, as he tells Andrew L. Urban.

 

Only a visionary like Zareh Nalbandian would christen his pioneering visual effects & animation company Animal Logic. It was only 1991 but Nalbandian saw the digital future: he has long sight. Animal, he explained at the time, represents the instinctive world, while Logic of course refers to the rest. It’s a philosophical marriage of notions, and it has served the company well, as digital creative work expanded through the TV commercials world and

 

 

 

Filmography

Happy Feet - ( Executive Producer / 2006 / Released / ) Happy Feet - ( Art Director / 2006 / Released / ) Happy Feet - ( Visual Effects Supervisor / 2006 / Released / ) Stealth - ( Visual Effects Producer(- VFX Executive Producer) / 2005 / Released / ) Swimming Upstream - ( Visual Effects Producer(- VFX Executive Producer) / 2005 / Released / ) The Great Raid - ( Visual Effects Producer(- Animal Logic VFX Executive Producer) / 2005 / Released / ) Garage Days - ( Visual Effects Producer(- Visual Effects Executive Producer) / 2003 / Released / Fox Films, Ltd. ) The Crocodile Hunter: Collision Course - ( Visual Effects Producer(- Visual Effects Executive Producer) / 2002 / Released / Fox Films, Ltd. ) Moulin Rouge - ( Visual Effects(- visual effects producer) / 2001 / Released / ) Me Myself I - ( CGI Artist(- visual effects & CGI) / 2000 / Released / ) Holy Smoke - ( Visual Effects(- visual effects executive producer) / 1999 / Released / ) The Matrix - ( Producer / 1999 / Released / Village Roadshow Pictures Worldwide )

 

 

 

 

Link to comment
Share on other sites

Zareh Nalbandian - biography

 

Zareh began his career in the early 1970s as a film effects artist working on feature films and television commercials. He trained in many areas of film post production and ultimately found himself in a senior management role running the company he started his training in: Australia’s then largest film post production laboratory group, Colorfilm.

 

Excited by the emergence of digital technologies he moved to Sydney’s Video Paintbrush Company, the first company in Australia to utilise computer-generated technologies for the screen in the mid 1980s.

 

In 1991, he co-founded Animal Logic with the vision to build a creative environment allowing artists and technicians to harness the opportunities offered by digital technologies for visual effects and animation. Animal Logic has produced digital animation and visual effects for international television commercials and television series including David Tench Tonight and Farscape.

 

In 1996, Zareh spearheaded the company’s move into visual effects for feature film and established the company’s headquarters at the Fox Studios Lot in Sydney. Since moving into feature film, Animal Logic has built up a strong portfolio of credits, including Babe, The Matrix, and Harry Potter and the Goblet of Fire.

 

Zareh has worn multiple hats as managing director, visual effects supervisor, mentor and producer helping to realize many of the company’s successful projects and building strong relationships with great directors and producers. Most recently, Zareh served as an Executive Producer on Happy Feet, the first 3D animated feature film to be made in Australia.

 

Audio download

 

* Whole interview, 46 minutes, 10.4mb MP3

 

Chapter 1 - Starting Animal Logic - 10 minutes

 

* Animal Logic, started small, financed on credit card

* Name to differentiate; the combination of digital and human

* Understood business

* Into and out of Asia, looking to US, building relationships

* Setting up the film division in 1996

* Digital technology was coming of age

* Big financial risk, millions of dollars, prudent management

* Developed own technology

* Always continued TVC work, helps manage business cycles

 

Link to comment
Share on other sites

Video downloads

 

Chapter 2 - Culture and business - 9 minutes

 

  • Animal Logic culture: still personal business, flat management structure
  • Strong infrastructure beneath strong creative team
  • Constantly re-invested in business to succeed
  • Didn’t need to answer to board of investors
  • The role of competition
  • Invest heavily in young talent, innovation
  • Good producing talent in house
  • Invested $25 million in technology in past two years
  • There are over 200 on staff, with no feature in production
  • Always looking two years ahead
Link to comment
Share on other sites

Video downloads

 

Chapter 3 - big projects - 12 minutes

 

  • Matrix – with help from Andrew Mason – we pitched
  • Right project at the right time
  • Very different to Happy Feet – on Matrix we were working for hire, shot makers
  • On Happy Feet we were filmmakers, working with George Miller and team – allowed our own team to grow
  • Grew to over 500 people for the project – infrastructure and processes grew
  • Treat staff well, exit interviews show 92% want to come back some day
  • We worked as producers with Kennedy Miller
  • Different language between creative and technical – unifying factor was ‘the story’
  • We knew what we didn’t know
  • Challenges to build effective communications
  • Regimented but everyone has a say
Link to comment
Share on other sites

Video downloads

 

Chapter 4 planning ahead - 14 minutes

 

  • Working on 300 – groundbreaking, genre making
  • Australian filmmakers should understand we have flexibility
  • Keen to be part of production team – but also a service facility
  • Satisfied with company development, and with deal to develop projects with Warner Bros – distribution is the key
  • Digital technique helping budgets
  • Business plan constantly changing – opportunistic
  • 3-year plan, but constantly changing
  • Everyone in the company is a salesman
  • Opened an office in Los Angeles in 2002
Link to comment
Share on other sites

  • 4 weeks later...
Michael Topoozian...Assist. Director of one of my favorite movies "Becasue I Said So"...:)

 

http://www.hollywood.com/celebrity/Mike_Topoozian/1742864

 

Wow.... he worked on so many of my faves..... :)

 

Little Children (amazing)

Fight Club

Home for the Holidays :)

Pushing Tin (Cusack rules!)

Con Air (due to my fascination with Nicholas Cage)

 

 

 

 

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
×
×
  • Create New...