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Gurgen Dabaghian


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I just bought the cd by this little kid wonder. All of his songs are from Sheram, Sayat-Nova, Jivani, Havasi..etc. This guy has a very bright future if he keeps this up. Check it out.
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Edgar jan ir hamergi jamanak ( LA ) du petqa tesneyir te mer tatik papikner@ inchpes eyin lsum iren yev sirum es yerexayin, dziyn@ iskapes hiyasqanch e , yev tesnel vor mi 12-13 tarekan manuk-patani yergum e 100% Haykakan Yerg-yelevej da iskapes hrashq e , yerb mets u poqe@r $$$ hetevis @enkats otaramut yerger en yergum...

 

yev mek urish karevor harts vor, n@ranov zbarvum en , HAyr@ yev horyerbiyr@..

horyerbiyr@ bavakanin lav dudukahar e .

 

Movses

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http://www.aha.ru/~dabagian/Photo.2.jpg

Gurgen Dabaghian's Biography

 

Gurgen Dabaghian was born on 10 March, 1988 in Yerevan, Armenia. He begin singing from 5 years old. He performs armenian folk songs. Best singer of Saiat-Nova. In 1996 he won 'Im ankakh Hayastane 5 tarekan e' (my independent Armenia is 5 years) competition. In the same year he became laureate of national festival and was honoured Gohar Gasparian's Gold Medal. In 1998 his 'Gusanakan Erger' CD dedicated to Great Sayat-Nova 285 anniversary was released by PARSEGHIAN RECORDS, USA. His video cassete 'Es der 10 tarekan em' (i'm 10 years old yet) was released in 1998 in Armenia. In December 1998 he participated in Armenian earthquake 10-th anniversary dedicated concert in Moscow, Russia.

 

http://www.aha.ru/~dabagian/Photo.4.jpg

 

 

Gurgen Dabaghian's web page

 

[ September 24, 2001: Message edited by: MosJan ]

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Gevorg Dabagian

The Music of Armenia Volume 3: The Duduk

Celestial Harmonies

 

The music of the duduk of Armenia has become familiar to many through the many recordings of Djivan Gasparyan in the last decade. Here's a chance to hear another player of equal emotional range on an instrument made for individual expression. The duduk is a small double-reed instrument. It has a mix of warm tone and raspy over-tone that makes it instantly recognizable and unique. In Armenia, this instrument has the respect that the violin has in more western classical music, even though its repertoire comes from a more "folk" oriented base. While it can be heard in many different kinds of ensembles, from duduk chamber groups to folk music with many different instrument and vocalists, this set features it as a solo, accompanied only by a droning second duduk and occasionally a drum. It is in this setting, and with this performer, that one can truly appreciate the beauty and evocative quality of the instrument. It has an emotional quality normally associated with singers, and it seems to evoke in the listener the same feelings of joy, sorrow and loss that a good folk singer can. This is the third set in Celestial Harmonies' "Music of Armenia" series produced by David Parsons. It includes excellent liner notes on the history of the instrument and the composers by WNYC's John Schaefer. It also completely lacks the name of the performer anywhere on the cover, including his name only in the fine print credits and once at the end of Schaefer's notes, so look for it under "M" for music, or "V" for various artists, which is my guess as to where most stores and station libraries will file it.

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