MJ Posted March 4, 2001 Report Share Posted March 4, 2001 The Calouste Gulbenkian Storyby Fred Stern http://www.artnet.com/magazine/features/stern/Images/stern1-7-1s.jpg Calouste Gulbenkianin his late 20s If your wealth makes Aristotle Onassis look like a pauper, and your taste does not run to fancy yachts and celebrity women, you can afford to please the sensitivity of your eyes, the dream castles of your mind, the velvety touch of your fingers, and your art collection is poised to become the envy of decades of collectors in the future. You are Calouste Gulbenkian and highlights from your collection are now on view at the new Greek galleries at New York's Metropolitan Museum until Feb. 27, 2000. Calouste Gulbenkian (1899-1955), sometimes known in the press as "Mr. Five Percent," was the architect of a fabulous network of pipeline deals that made him one of the wealthiest men this side of Istanbul. He got his start after his affluent parents sent him to Kings College, London, where he received an engineering degree with distinction. At age 22 he wrote a book on the management of petroleum resources, which came to the attention of the Turkish minister in charge of the oil fields of the Ottoman Empire. In short order Gulbenkian engineered the creation of the Turkish Petroleum Company and set up a consortium between the Anglo-Persian Oil Company, Royal Dutch Shell and Deutsche Bank. But Gulbenkian was also an avid collector. He began collecting Greek and Roman coins in early boyhood and then expanded his activities in the early 1920's. Soon no museum or private collector could match his resources, determination and his connoisseurship. Norton Simon and his mini-Louvre in Pasadena, replete with Rembrandts, Bassanos, Gauguins and Asian acquisitions, pales against Gulbenkian's treasures. The Duke of Bedford's 24 Canalettos are no match. The 12 Holbeins of Prince von Fürstenberg and Donaueschingen don't come close. What did Gulbenkian collect? More precisely, what didn't he collect. Aside from his requirement that any acquisition be "only the best," Gulbenkian insisted that all his objects have a classical orientation, whether they be paintings or sculpture, jewelry or ceramics, Persian rugs or the exquisite creations of brooches by French jeweler/designer René Lalique (1860-1945). We have no way of assessing the collecting history of this Armenian-Portuguese connoisseur. When you are this rich you can change your mind as many times as you like, switch in and out of fields, areas of collecting or artists whenever the whim strikes you. Gulbenkian's "mistakes" made fabulous wedding gifts. If what he craved was unavailable on the open market, he approached the likes of the Rothschilds and Pierpont Morgan and bargained for their prized possessions. He usually got his way in the end, but sometimes, reluctantly, he backed off from an item he had his heart set on, such as the Goya Duchess of Chinchon. Gulbenkian's executors funded the Gulbenkian Foundation in Portugal with an endowment of $2.6 billion and an annual budget of $102 million. Housed in a palace-like structure, and set in a 17-acre park replete with a permanent sculpture display and a children's art center, the foundation holds all 6,800 artifacts of Gulbenkian's collection "under one roof," as stipulated. The current Met show, which features 80 works, is a result of renovations at the Lisbon center. Edouard Manet's Boy Blowing Bubbles (1807), though reminiscent of Jean Baptiste Siméon Chardin's Soap Bubbles, matches freshness and delight with the innocent pleasures of childhood. This impressive late Gulbenkian purchase (1943) is from the estate of Adolf Lewisohn. Joseph Mallord William Turner's Wreck of a Transport Ship (1810) is a searingly dramatic picture of a ship and its human cargo caught in a destructive maelstrom. The painting is organized around diagonal masts and broken oars while brilliant shards of color of the about-to-be shipwrecked contrast with the white spray of the indifferent waves. The helplessness of the passengers is clear. The spirit of quattrocento Florence is caught refreshingly in the image of the Portrait of a Young Woman (1485) by Domenico Ghirlandaio. The coral necklace provides a wonderful transition between lips, hair and a suitably simple dress. In sculpture, too, Gulbenkian went for the very best and so we have Jean-Antoine Houdon's Apollo (1790), a sand-cast bronze sculpture that waited for completion while Houdon was in Virginia working on his bust of Washington. The image of the immensely beautiful head of Apollo with its crown of flowing hair has found wide dissemination as a relief medallion. Gulbenkian, a devoted Egyptologist, managed to locate a rare bronze sculpture with gold and copper inlay from Dynasty XXIII, the reign of King Pedubast, 818-791 B.C. Richly ornamented with divine figures and encrustations in gold and copper, the 10-inch-high artifact attests to the vitality and artistic excellence of a stormy period in Egyptian history. A Jewel for the Eagles and Pines Choker (ca. 1899-1901) is an enormous rectangular cabochon opal, lightly touching pine branches whose needles are enhanced by golden pine cones hiding two eagles enameled in dark blue. This pin and others were bought directly from its creator, René Lalique, in July 1901 when Gulbenkian was all of 12 years old! My eye was attracted to Japanese objects, especially the exhibition's only writing box. Writing boxes, used primarily by traveling savants, were typically lacquered with relief decorations, and are among the most admired artifacts in Japanese art. The example on view is almost overly rich in its intricacies, displaying a folding screen, a grove of trees, an owl sitting in a branch, a hawk chained to a perch, a clothes rack with robes and two inros (pouches that held tobacco or medicine). Two other inros on view are equally ornate and impressive. Gulbenkian also gloried in Turkish (Iznik) ceramics. In his collection their stunning forms span the centuries beginning with the 1600's. Rich examples of Persian carpets, hangings and panels suggest how much more is housed at the Foundation in Lisbon. FRED STERN writes on art and antiques. http://www.artnet.com/magazine/features/st...stern1-7-00.asp [ March 04, 2001: Message edited by: MJ ] Quote Link to comment Share on other sites More sharing options...
MJ Posted March 4, 2001 Author Report Share Posted March 4, 2001 The Armenian Communities Department [of Gubenkian Foundation - MJ] aims to develop ways of providing support to the eight million Armenians dispersed throughout the world. It offers this assistance in three priority areas: Education, Science and Publications. 1. EDUCATION A major priority of the Department's work is the educational sector, best illustrated by the annual award of a certain number of higher education scholarships. The Department also has a special scholarship programme for seminary students at the six Armenian theological training centres, which are: Etchmiadzine in Armenia, Antelias and Bzommar in Lebanon, Jerusalem, Venice and Vienna. Another important part of the Department's work in education is for the Armenian schools in the Diaspora. The Department has established a special programme for them by covering the tuition fees of a certain proportion of the pupils. Subject to well-defined priorities, the department further endeavours to provide the schools with the teaching materials they require to fulfil their vocation. Above all, the department's grant-giving priorities distinctly tend to be aimed at the Middle Eastern countries, where the Armenian population is greatest and in most need, especially in Syria, Lebanon and Turkey. There is a special programme of aid towards the improvement of sanitation facilities, which has become essential in the Armenian schools of these three countries. 2. SUPPORT TO SCIENCE IN ARMENIAIn the matter of Science, the Department's main activity is focused primarily on Armenia, and is specially centred on its four pillars of science and knowledge, that is to say, the National Academy of Sciences, the State University of Yerevan, the National Library and the Matenadaran (or Library of Ancient Manuscripts). After the collapse of the old regime and of the network of scientific relations, which the country used to enjoy, the Department aims to ensure that these four institutions possess all they need to function autonomously and normally. Thus the Department has recently offered the National Academy of Sciences and the State University computerised equipment to enable scientists to pursue their studies and research, at the same as giving them access to an indispensable network of information and contacts on the international scene. Furthermore, an ultra modern printing press was sent from Lisbon to the National Academy of Sciences. This entirely computerised equipment enables the country to undertake the gradual recovery of its role as Mother country to Armenians throughout the Diaspora. Thus, besides meeting its own printing needs, it should be able to meet those of the Diaspora. Another objective of the Armenian Communities Department's activities is to encourage medical research. This support is carried out through the award of training scholarships, the organisation of training programmes in the Diaspora, or by direct logistic support. By way of example, under the Armenian Communities Department's patronage, we may mention the creation of a new Genetics Laboratory, following agreements reached between the Henri Mondor of Créteil-Paris Hospital and the National Academy of Sciences of Armenia. This Laboratory is carrying out specific research in particular into the Periodical Disease, a disease unique of its kind, which seriously effects some ancient populations, particularly those spread all around the Mediterranean Sea. In addition to genetics, support is also given to botanical and biological research, which is in the course of active development in Armenia. This illustrates the efforts that have been made to face the rapid growth of several diseases, resulting from the earthquake in 1988 and from the consequences of natural and environmental disasters. 3. PUBLICATIONS: The Department has its own publications, and also supports the publication of certain works generally considered to be essential works of reference in the world of Armenology. These publications are of fundamental importance and great scientific interest. Armenian Communities Av. de Berna, 45A 1067-001 Lisboa - Portugal carmenias@gulbenkian.pt http://www.gulbenkian.pt/indexa_ing.html Quote Link to comment Share on other sites More sharing options...
koko Posted August 20, 2002 Report Share Posted August 20, 2002 European Liaison Centre The Gulbenkian Foundation:Calouste Sarkis Gulbenkian was an Armenian born in 1869. He became a British citizen, conducted much of his work in Britain and finally settled in Portugal. The Calouste Gulbenkian Foundation was founded in 1956, a year after his death. The UK branch of the Foundation deals only with grant applications for projects in the uk and Ireland and only with projects whose principal beneficiaries are people in these countries. ...Continuing... www.ul.ie/~elc/links/gulbenkian.html Quote Link to comment Share on other sites More sharing options...
koko Posted August 20, 2002 Report Share Posted August 20, 2002 The Calouste Gulbenkian Library mission and history: http://www.armenian-patriarchate.org/page11.html Quote Link to comment Share on other sites More sharing options...
Aratta-Kingdom Posted August 8, 2006 Report Share Posted August 8, 2006 Portugal benefits from oil tycoon's legacy Bahrain Tribune, Bahrain Aug 6, 2006 Daniel Silva Lisbon Portugal produces no oil yet for the past five decades oil wealth has played a key role in the development of the country, paying for library books, hospital equipment and thousands of scholarships. The Calouste Gulbenkian Foundation, named after a Turkish-born Armenian oil tycoon who left his fortune to the country, has given out two billion euros (2.5 billion US dollars) at current prices since it was set up in 1956, a year after his death. Money provided by the foundation has also funded the nation's top symphony orchestra, several rehabilitation centres for the handicapped and exhibition halls as well as the restoration of historical sites. "The truth is that this foundation is the most extraordinary lucky break in the history of this country," sociologist Antonio Barreto said last month at a ceremony marking the 50-year anniversary of the approval of the foundation's statutes. Barreto is writing a book on the impact that the foundation's vast resources have had on Portugal, one of western Europe's poorest nations. Gulbenkian, who made his fortune in the Middle East, lived at a Lisbon hotel during the last 13 years of his life after moving in 1942 to Portugal, at the age of 73, by car with his wife, from Nazi Germany's occupied France. Three years before his death he drew up a will allotting the bulk of his fortune, as well as his vast art collection, to Portugal to be used to set up a charitable foundation to thank the country for providing him with a refuge from the ravages of World War II. The will specified that the foundation must be based in Lisbon, exist in perpetuity and focus on the fields of arts, charity, education and science. Under the care of its executors the foundation's assets have risen to just over three billion euros, equal to two percent of Portugal's gross domestic product, from the equivalent of 14 million euros when it was founded in 1956. It is Europe's sixth-biggest charitable foundation by assets. Among its holdings is oil company Partex, which has interests in Abu Dhabi, Algeria, Angola, Brazil, Kazakhstan and Oman. It produces some 13.5 million barrels of oil per year. The foundation has an annual budget for its charitable activies equal to four percent of its overall assets, which this year amounted to 113 million euros, more than the budget of some government ministries. Roughly 80 percent of the money is spent in Portugal with much of the rest earmarked for projects in the country's former colonies in Africa. Gulbenkian's art collection, which includes Egyptian sculptures, Chinese Qing vases and scores of gold and silver Greco-Roman coins, is on display at a Lisbon museum set in a park that shares his name which has become one of the nation's top tourist attractions since it threw open its doors in 1969. "I think we'll never be able to thank him sufficiently for his generosity," the president of the foundation, Rui Vilar, said in an interview published in July in literary magazine JL. One of the first ventures which the foundation bankrolled was the creation of a network of traveling libraries which operated out of a fleet of buses, lending books to readers in the most remote parts of the country. Five years after the foundation was set up it operated 61 "library buses" alongside 156 permanent libraries at a time when Portugal was ruled by a repressive right-wing dictatorship which vastly neglected social spending. "Few actions touched the interior of Portugal during the second half of the twentieth century as deeply as this one," Portuguese President Anibal Cavaco Silva said at the celebrations marking the foundation's 50-year anniversary. Speaking before an audience which included all of Portugal's living former presidents, Cavaco Silva also recalled how a Gulbenkian scholarship allowed him to do a PhD in economics in England. Since its establishment the foundation has given out more than 65,000 scolarships. Before Portugal, a nation of just over 10 million people, joined the European Community, the precursor to the European Union in 1986, the foundation was the nation's main source of scholarships, especially for studies abroad. Born in 1869 to a family of well-to-do Armenian merchants in Scutari, now part of Istanbul, Gulbenkian became a British citizen after studying petroleum engineering in London and was one of the first to open the Middle East to the oil trade. Quote Link to comment Share on other sites More sharing options...
gamavor Posted April 16, 2010 Report Share Posted April 16, 2010 http://www.youtube.com/watch?v=_Kg5L0ZwmAU Quote Link to comment Share on other sites More sharing options...
Yervant1 Posted December 15, 2013 Report Share Posted December 15, 2013 FUNDAÇÃO CALOUSTE GULBENKIANArmenian Communities Department - Service des Communautés ArméniennesAv. de Berna, 45 A, PT-1067-001, Lisboa, PortugalTel: +351 21 782 3658E-mail: osullivan@gulbenkian.ptOscar O'SullivanGestor de Projetos JuniorServiço das Comunidades ArméniasFUNDAÇÃO CALOUSTE GULBENKIANPublication of a New Five-Year Programming Planfor the Armenian Communities Department of theCalouste Gulbenkian FoundationThe new Programming Plan of the Armenian Communities Department (ACD)of the Calouste Gulbenkian Foundation lays out the key components ofits funding priorities and activities for the next five years(2014-2018). Launching in December 2013, it is based on theDepartment's mission "to create a viable future for the Armenianpeople in which its culture and language are preserved and valued."The Plan is structured around the four priority areas which arecrucial in fulfilling that mission: promoting the preservation ofArmenian language and culture through education, supporting Armenia byinvesting in its youth and civil society, helping to improveArmenian-Turkish relations and preserving Armenian literary heritage.A consultative process was undertaken that affirmed these needs. Themost important issue arising is the rapid loss of the languageCalouste Gulbenkian spoke: Western Armenian. For this reason much ofthe funding will go towards safeguarding and developing the languageand culture, particularly in the diaspora. A strategic approach isbeing adopted as the Department begins to provide larger sums to fewerinitiatives, so that greater impact is assured.What follows is a presentation of the programmes, grouped around fourpriority areas. In addition to these, two further initiatives will beintroduced: turning the Department into a hub of connections andstrategic thinking for the Armenian world, and humanitarian support inunforeseen circumstances (e.g. the Armenian community inSyria). Programmes will be implemented throughout the world by trustedpartners.1. Preservation of the Armenian language and culture, and thedevelopment of the diaspora by linking its different parts andinvesting in educationi) Loss of the Western Armenian LanguageWestern Armenian is an "Endangered Language" according to UNESCO,under the threat of disappearing if serious initiatives are notundertaken to reinforce it. This generation is probably the lastgeneration that can halt or possibly reverse this process ofnot-so-gradual loss of a language that was a vibrant source ofArmenian culture only half a century ago. The ACD will focus on thefollowing four areas to reinforce and develop the language:A. Support to Armenian Schools and Other Educational Initiatives inthe DiasporaArmenian schools will continue to receive funding. There will be afocus on less developed countries where the Armenian community facessignificant material limitations, and where there also is a criticalmass of Armenian speakers (or the potential of having such a criticalmass). Where there is demographic growth in a community, support forthe set-up of new schools or the strengthening of existing ones willbe considered.Student-related initiatives that preserve the language will also befinanced. Innovative youth initiatives that encourage Armenians in thediaspora to speak the language and to produce culture in it will bebacked, particularly in Western countries. Emphasis will be put onextra-curricular activities related to culture and initiatives thatare led by young people speaking to their interests as defined by themrather than defined by traditional community leaders.B. Support the Creation of a Teacher Training Centre for WesternArmenian The Department aims to foster an intellectual community thatcan teach the language in schools, edit the newspapers and websites oftomorrow, produce culture and manage community affairs in Armenian. Tothis end, it will provide a significant grant over the next two yearsto establish somewhere in the diaspora an Armenian Teacher TrainingCentre or Programme. It will also support the establishment of anInternational Western Armenian Teachers Association.C. Academic Centres and University-Based Initiatives that TeachWestern Armenian and Culture, Research the Use of Western Armenian orContribute to Armenian Studies Support will be available for academiccentres and initiatives where Western Armenian is taught to studentswho specialise in Armenian studies or are learning the language forpersonal reasons, as well as innovative projects on the use andreinforcement of Western Armenian. Additionally, some support will begiven to conferences and lectures focused on Armenian studies.D. Use of New TechnologiesHistorically Armenians have been at the forefront of new technologiesand have adapted these to the needs of Armenian culture. The ACD hopesto continue this tradition and encourage the use of moderntechnologies in teaching the language, producing culture and makingArmenian part of the "technological world" of youth. As such, webcourses and other electronic learning opportunities, innovative appsfor culture and language, interactive electronic publications, onlinenetworks and other such initiatives will be considered forsupport. Emphasis will be put upon initiatives that reach out toArmenian youth around the world electronically, linking them, bringingArmenian culture to them and encouraging them to produce culture.ii) ScholarshipsScholarships continue to be at the heart of the Department'sfunding. It has developed five principal categories for universitystudent support. In general, fewer, larger, merit-based scholarshipswill be awarded in order to ensure greater impact. Full information oneach grant and applicant eligibility will be available on theDepartment's website. The scholarship categories for the next fiveyears are as follows: i) The Calouste Gulbenkian Global ExcellenceScholarship for Armenian Students (four per year); ii) The CalousteGulbenkian Armenian Studies Scholarship (six to ten); iii) WesternArmenian Teacher Training Scholarships (six); iv) Short TermConference and Travel Grants to Students in Armenia (approx. forty);v) The Calouste Gulbenkian Undergraduate Studies Scholarships(approx. forty). On an ad hoc basis, modest support to Armenianuniversity students already studying in Portugal may be considered.Emergency scholarships will be provided to students caught up inconflict or other major crisis situations. Finally, the potential fora Calouste Gulbenkian Armenian Communities Department "AlumniAssociation" and the establishment of an "Internship Programme" foryoung Armenians will be explored.2. Development of a viable Armenia through investing in its youth andtheir commitment to civil societyGrants will be provided to civil society organisations that encouragecivic education, engagement and mobilisation among the youth,providing them employment opportunities while being socially activecitizens. Projects that balance engagement in Yerevan with activitiesand initiatives outside of the capital city will be favoured. Anotherelement of the Department's work in Armenia will be to link youngintellectuals in the country with their peers in Europe, North Americaand other developed countries. A series of exchange programmes, studytours and intensive summer courses are planned to enhance the exposureof Armenia's scientific and cultural community to innovations andtrends elsewhere, particularly in the social sciences and humanities.The ACD will collaborate with the Ministry of the Diaspora on certaininitiatives, particularly to strengthen the Western Armenian languageand culture. Within the Armenia "envelope" of funding, there is scopefor initiatives from Artsakh (Nagorno-Karabakh).3. Improve Armenian-Turkish relations by sponsoring projects thatencourage a common understanding of their long shared historyTurkey is in the process of undergoing a significant transformationwhich has enabled the discussion of subjects previously consideredtaboo, including the Armenian Genocide. The Department welcomes thisand is keen to contribute to it. Two types of activities will besupported in Turkey: first, the reinforcement of Armenian communitystructures and institutions in the country, including schools,particularly if they contribute to the preservation of WesternArmenian language, culture and traditions. Second, initiatives ofcivil society and academic dialogue between Armenians on the one hand,and Turks and Kurds on the other. This will include projects oftranslation from Armenian into Turkish and Kurdish (and vice versa),arts and cultural events, as well as research and training in Ottomanstudies.4. Preserve and make available the Armenian literary heritageA signature programme of the Department has been its publicationsupport for books, journals and newspapers, whether in Armenian orabout Armenian issues. This work continues, but will be modernised itin two important respects.First, while maintaining some funding for the "classics", moreemphasis will be put upon producing publications on modern andcontemporary topics, including original research on current issues andproblems facing Armenia and the diaspora, contemporary literature,social and cultural issues of interest to younger readers. Second,print publishing will be complemented by electronicpublishing. Digital media will be privileged: funding will go towardssupporting newspapers and journals to go online, and encouraging theproduction of interactive e-books, as well as Armenian-relatedsmartphone applications, online dictionaries and lexicons. It isanticipated that online publications will receive the majority of thisfunding by 2020.Projects will be undertaken to digitise important ancient manuscripts,archival documents and other rare texts.A two-way translation programme will be developed: initiatives to makeimportant Armenian texts available in other significant languages willbe financed, along with translation into Armenian of important foreignlanguage texts.Some funds will be set aside to explicitly encourage the creation ofnew literature and culture - be it in Western Armenian or in anotherlanguage but concerning Armenians. To this end, the Department willsponsor initiatives such as creative writing workshops that encourageArmenians to engage in cultural production that is innovative andparticipatory.Plans are being made for an international prize for best new fictionand non-fiction, open to younger authors writing in Western Armenian.5. Turning the Department into a hub of connections and strategicthinking, and collaborating with other Departments within theFoundationThe ACD is changing from a traditional funder into a catalyst forchange, and a facilitator of strategic thinking and long termplanning. Its international and independent position is unique in theArmenian world, enabling it to act above partisan communitypolitics. Organisations, experts and noted leaders will be invited toLisbon on a yearly basis to discuss current issues of mutual concernand to strategise collectively to find solutions. The meetings willfocus on common interests and concrete goals, linking components ofthe Armenian world that do not usually come together. The firstmeeting will take place in 2014 on a broad "inaugural" theme:Armenians in 2115. This will be a valuable chance for communityleaders to ask: "Where is the Armenian nation heading after thecommemoration of 2015?"In collaboration with other colleagues at the Foundation, Armeniancultural events will be staged in Portugal so that Armenian culture,music, art and history becomes known in the Foundation's home country.6. Unforeseen circumstances and humanitarian needs (Urgent Actionfund)From time to time there are calls to intervene in a majorhumanitarian crisis (e.g. Syria). Some funds will be set aside inorder to cope with such unforeseen circumstances. On occasionsimportant opportunities related to the Department's mission but notnecessarily programmed in its budget will befinanced.Conclusion: Working through PartnersTo realise its objectives, the ACD needs to work with excellentpartners around the world, be they organisations or individuals. Thefirst group of partners are its grantees. The Department is eager towork much more closely with partners to ensure results. Funds will notsimply be distributed to organisations and individuals. Collaborativework will continue on an ongoing basis. Second, further partnershipopportunities will be explored between the Department and otherorganisations that have an interest in supporting Armenia and Armenianinitiatives. Joint programmes will be sought with organisationswhereby the Calouste Gulbenkian Foundation will be one funder amongseveral others.The ACD's vision of the Armenian world of the early2020s is a world in which Western Armenian is more secure as a livinglanguage, sustained through a network of young qualified teachers andintellectuals using innovative teaching and communication methods, aswell as a youthful generation in diaspora that continues to speak itand create in it. It is hoped that in a few years Armenians will reapthe rewards of the Foundation's scholarship programmes, as hundreds ofuniversity educated men and women assume leadership positions in theirrespective fields, and that Armenian Studies, as an academic field,gains a number of new graduates not only researching issues andproblems currently facing the Armenian nation but also offeringevidence-based solutions. The ACD hopes for a much stronger civilsociety in Armenia, with an engaged youth that contributes to thecountry's democratic development, and an academic community that isglobally connected and participating in international debates usingthe latest research methods and approaches in the social sciences. Italso hopes to see engagement between Armenians and Turks advance tosuch a degree that the dialogue between the two peoples - and theissues it deals with - becomes part of the mainstream of the twosocieties instead of being confined to the sidelines. Finally, it willbe a source of pride for the Department to see at the end of the FiveYear Plan a younger generation using scores of IT-based applications,books, journals, newspapers and other electronic initiatives thateither use Western Armenian or enhance Armenian culture and learningin the digital world.In short, through the activities of this Plan, the ArmenianCommunities Department strives to create a more viable future for theArmenian people in which its culture and language are preserved andvalued. That, after all, is its mission.The full plan is available in English, Armenian and French on our site:http://www.gulbenkian.pt/section24artId4359langId2.html# Quote Link to comment Share on other sites More sharing options...
Arpa Posted December 16, 2013 Report Share Posted December 16, 2013 (edited) This is a heap of rubbish, vicious propaganda, pure hogwash. Who told UNESCO this lie? How did UNESCO come to that conclusion?i) Loss of the Western Armenian LanguageWestern Armenian is an "Endangered Language" according to UNESCO,under the threat of disappearing if serious initiatives are notundertaken to reinforce it. This generation is probably the lastgeneration that can halt or possibly reverse this process ofnot-so-gradual loss of a language that was a vibrant source ofArmenian culture only half a century ago. The ACD will focus on thefollowing four areas to reinforce and develop the language Western Armenian is not an endangered species, if anything it is the preserver of the Good Old Classical Armenian.. The so called “Armenian” coming out of Yerevan will be extinct shortly Read the Armenian coming out of Aleppo, Beirut, Paris, Boston, even from Bolis and see the genuine Armenian language. That is, if we can still read and understand traditional Armenian. Then read (don’t) the rubbish from Yerevan and see which is Armenian. You may need a microscope to see even one Armenian word among all that garbage of Russian, Latin, …and yes furkish. Wait till they completely trash the Mesropian Alphabet and replace it with the Cyrillic. They have already virtually done it. You want to see Good Old Armenian? Read some the posts by our friend Johannes. Now, dear UNECO, please tell us which is endangered.? Edited December 16, 2013 by Arpa Quote Link to comment Share on other sites More sharing options...
Yervant1 Posted October 22, 2014 Report Share Posted October 22, 2014 FUNDAÇÃO CALOUSTE GULBENKIANArmenian Communities Department - Service des Communautés ArméniennesAv. de Berna, 45 A, PT-1067-001, Lisboa, PortugalTel: +351 21 782 3658E-mail: osullivan@gulbenkian.ptOscar O'SullivanGestor de Projetos JuniorServiço das Comunidades ArméniasFUNDAÇÃO CALOUSTE GULBENKIANThousands of People Take Part in First "Armenian Culture Week" atCalouste Gulbenkian FoundationThe first ever Armenian Culture Week (12-19 October 2014) at theCalouste Gulbenkian Foundation generated much excitement and interestin Lisbon. Sixteen events took place in eight days, includingconcerts, lectures, seminars and exhibitions."It was an intense week," said Razmik Panossian, the Director of theArmenian Communities Department, "as we brought to Portugal variousaspects of Armenia culture and history. I was truly and pleasantlysurprised at the great interest the Week generated among the generalpublic and among my colleagues at the Foundation."MusicFive concerts highlighted traditional and classical Armenian music asthe sound of the duduk and other Armenian instruments filled thepacked the 1000-seat Grand Auditorium on several occasions.Shoghaken Ensemble's Road to Armenia concert kicked off the Week onOctober 12. Founded in 1995, the Ensemble interprets songs andmelodies, playing them on traditional instruments. The results "arestunning in their drive, beauty and mystery" according to the BostonHerald.On Tuesday night, the 14th of October, a free Armenian chamber musicconcert was given by Gulbenkian Orchestra soloists and their guests,performing pieces by Arno Babajanian, Tigran Mansurian and of courseKomitas. The audience was captivated by the delicate music and thevoice of soprano Manuela Moniz whose repertoire included the classicsong of longing, "Krunk."Thursday and Friday nights the full Orchestra, conducted by PedroNeves, played Armenian and Portuguese composers as part of its regularseries: Luís de Freitas Branco and Aram Khachaturian, including thefamous Suite no. 3 from Gayane. Nareh Arghamanyan, the invited pianosoloist, enchanted the audience with her spirited interpretation ofKhachaturian. Friday's main concert was followed by another Armenianchamber music concert, playing compositions by Harutiun Dellalian,Karen Khachaturian and Vache Sharafyan.The music series was closed on Sunday 19 October by the Jordi Savall'swonderful "Spirit of Armenia" sold-out concert. His ensemble,including invited musicians from Armenia produced an enthrallingmusical experience.Roundtables, Lectures and Book LaunchThree public events provided much needed information about the Founderand his culture on Wednesday 15 October.The roundtable "More than Mr. 5%: The Early Life of CalousteGulbenkian" focused on the Founder's early life and his inspiringexample still relevant to us. The President of the Foundation, ArturSantos Silva, opened the proceedings. The Director of the Library andArchives, Ana Paula Gordo, brought the archives to life byhighlighting some of the hidden treasures it contains, includingletters from a very young Gulbenkian to his father. Jonathan Conlin,the biographer of Calouste Gulbenkian, presented some of the earlyfindings of his research, leaving the audience eager for thepublication of his book. Finally, Martin Essayan, Gulbenkian'sgreat-grandson and Trustee, delivered an inspiring speech aimedlargely at the employees of the Foundation. Openness, cooperation andeffectiveness were key words throughout his discourse. The roundtablewas moderated by Razmik Panossian.The Portuguese version of Vassili Grossman's book, An ArmenianSketchbook, was launched on Wednesday as well. Published by DonQuixote, it appears under the title Bem Hajam! Apontamentos de Viagemà Arménia. Filipe Guerra, one of the two translators of the bookexplained the context of the book and Grossman's visit to Armenia inthe early 1960s.The formal opening of the "Networks of Circulation and Exchange:Armenian, Portuguese, Jewish and Muslim Communities from theMediterranean to the South China Seas" conference took place onWednesday evening. Once again, the President of the Foundationformally opened it, emphasizing the spirit of cooperation andcollaboration, as well as the parallels between Armenian andPortuguese history. The keynote speaker, Professor Sebouh Aslanian, ahistorian from UCLA, gave a fascinating account of Armenian merchantsand their international networks in the 17th and 18th centuries. Theconference continued on Thursday and Friday.Another roundtable, attended by nearly 80 people, was on the topic of"Armenian Music: Past and Present." Moderated by Rui Vieira Nery, theDirector of the Portuguese Language and Culture Programme, it was notonly an informative but also an emotional event. Marina Dellayan, aPortugal-based pianist, explained the history of Armenian music andgave an overview of Armenian culture, while musician Gevorg Dabaghyanintroduced the "most Armenian instrument," the duduk, and graced theaudience with a private concert of three pieces, including Komitas's"Dle-Yaman."Jordi Savall too had gracefully agreed to take part in anotherroundtable on Armenian music prior to his concert. Answering questionsposed by the moderator, Risto Nieminen, the Director of the MusicDepartment, Savall emphasized the healing power of music and howresilient people like the Armenians have produced culture in - and inresponse too - adverse conditions, violence and exile.At the Modern Art Centre of the Foundation, Professor Kim Theriaultdelivered a fascinating lecture about the life and art of one of themost important American artists of the 20th century, "Towards theabstract: the imaginary and imagination of Arshile Gorky." Shediscussed Gorky's development as an artist, his work and his impact onmodern art. Gorky created, she argued, a unique abstract art that wasa bridge between European Surrealism and American AbstractExpressionism, and that ultimately it was a visual manifestation ofhis displacement as an artist of Armenian origin.Film PremiereThe Grand Auditorium was once again full for the premiere of thedocumentary film "ARtMENIA," directed by Ricardo Espírito Santo (TerraLíquida Films), in collaboration with Helena Araújo. The movieartfully introduced Armenian history, culture and traditions to thePortuguese audience, weaving it through the music of Tigran Mansurian.SeminarsDuring the week, two two-day international seminars were hosted by theFoundation. The first, on Monday and Tuesday, brought together 35leaders and prominent thinkers in the Armenian world to discussstrategies for the future. Under the rubric of "Armenians at 2115,"the invitation only seminar was a seminal step in fostering long termplanning and strategic visioning. A separate communique will soon beissued on this event, followed by a seminar report.The second two-day seminar, continuing from the keynote address ofWednesday evening, was an academic gathering on the topic of "tradenetworks." Some 40 international experts focused on the use ofcommodities and paper instruments in the early modern period. Some ofthe top experts in the field were present, along with youngercolleagues researching the topic. Comparisons were drawn betweenArmenian, Portuguese and other trade networks. The papers will bepublished as a book.ExhibitionsTwo key exhibitions accompanied the Armenian Culture Week and havereceived wonderful feedback from the general public.The first is an exhibition focusing on the early life of CalousteGulbenkian, based on his personal papers, entitled More Than Mr.5%:The Early Life of Calouste Gulbenkian. Among the first visitors wasthe illustrious novelist Orhan Pamuk. The exhibition opened on October2 and will run until 3 November.The other exhibition, Arshile Gorky and the Collection is at theFoundation's Modern Art Centre, and runs until 31 May 2015. Itfocusses on Gorky's surrealist work "in conversation" with othermodernists of his period, including prominent Portuguese artists.Martin Essayan, Trustee of the Foundation summed up the Week: "It wastouching to see and hear the culture of our Founder resonate in theFoundation. The collaborative spirit in which Armenian Culture Weekwas planned and executed is exemplary. The Armenian CommunitiesDepartment reached out to various other parts of the Foundation - fromthe Presidency to Communications, from the Music Department to theMuseum, CAM, the Archives, and the Programme of Portuguese Languageand Culture. The success of the week was contingent upon suchcollaboration. Indeed, it was a wonderful week celebrating Armenianculture at one of the premier foundations in Europe headquartered inLisbon."For more Information visit our webpage:www.gulbenkian.pt/armeniancommunities Or please contactcarmenias@gulbenkian.pt Quote Link to comment Share on other sites More sharing options...
MosJan Posted March 25, 2019 Report Share Posted March 25, 2019 https://massispost.com/2019/03/jonathan-conlin-to-speak-on-calouste-gulbenkian-1869-1955-and-the-pasdurma-problem/ Jonathan Conlin to Speak on “Calouste Gulbenkian (1869-1955) and the Pasdurma Problem” FRESNO — Dr. Jonathan Conlin of Southampton University (United Kingdom), will give a presentation on “Calouste Gulbenkian (1869-1955) and the Pasdurma Problem” at 7:30PM on Tuesday, April 2, 2019, in the University Business Center, Alice Peters Auditorium, Room 191 on the Fresno State campus. The presentation is part of the Armenian Studies Program Spring 2019 Lecture Series.Born into the Armenian merchant elite of Istanbul in 1869, the renowned oil magnate Calouste Gulbenkian made his fortune as a ‘business architect,’ persuading rival oil companies to collaborate for their mutual enrichment, particularly in the Middle East. The violent collapse of the Ottoman Empire, the Armenian Genocide and the attempt to establish a secure “Armenian National Home” at Versailles barely affected Gulbenkian, who appeared uninterested in being a “good Armenian.” His fellow Armenians nonetheless looked to him as benefactor and a leader of their diaspora. He was thus appointed to the presidency of the Armenian General Benevolent Union, the Paris-based philanthropy which sought to promote the welfare of Armenian refugees.Although Gulbenkian spent the whole of his life living in hotels, he built the nearest thing he ever had to a “home” in Paris in the 1920s. This talk will consider the biographer’s challenges in addressing what Gulbenkian’s daughter dubbed “the pasdurma problem”: the question of how to situate oneself as a family which showed little interest either in being “good Armenians” or in assimilation. It argues that Gulbenkian’s cosmopolitanism reflected the amira class from which he hailed as much as it did that supranational world of multi-national oil companies whose emergence Gulbenkian did so much to foster.Born in New York, Dr. Jonathan Conlin studied history and modern languages at Oxford before undertaking graduate degrees at the Courtauld Institute and Cambridge, where he was subsequently appointed a Fellow of Sidney Sussex College. Since 2006 he has taught history at the University of Southampton. His books include a history of the National Gallery (London), a comparative history of Paris and London and a biography of Adam Smith. In 2019 he published Mr. Five Per Cent: The Many Lives of Calouste Gulbenkian, World’s Richest Man, the product of five years’ research in ten countries.Copies of Mr. Five Per Cent will be on sale at the lecture.The lecture is free and open to the public. Parking is available in Fresno State Lots P6 and P5, near the University Business Center, Fresno State. A free parking code can be obtained by contacting the Armenian Studies Program.For more information about the lecture please contact the Armenian Studies Program at 278-2669, visit our website at www.fresnostate.edu/armenianstudies or visit our Facebook page at @ArmenianStudiesFresnoState Quote Link to comment Share on other sites More sharing options...
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