Jump to content

Cultural theft goes on: Iranian tar registered by UNESCO as Azerbaijan


Yervant1

Recommended Posts

14:46 11/12/2012 » Culture

Cultural theft goes on: Iranian tar registered by UNESCO as Azerbaijani cultural heritage

 

 

The theft of Iran’s cultural heritage goes on, says an article by Iranian news website Tabnak.ir.

The author of the article condemns the fact that Iranian tar (stringed musical instrument) was registered by UNESCO as cultural heritage of the Azerbaijani Republic in the presence of Iranian officials.

“It is very surprising and ridiculous that tar, which has Persian origin, is registered as ownership of a country that has non-Persian speaking population. Where were the Iranian delegates commissioned to UNESCO while the registration was taking place?” writes the author.

Referring to mentions of tar in documents preserved from the period of Achaemenid king Kyros the Great, Iranian musicologist Behruz Vejdani said, “Azerbaijan applies for tar’s UNESCO registration, while Iran had tar prior to the emergence of the Azerbaijani Republic. Moreover, the current territory of Azerbaijan was part of Iran until the Treaty of Turkmenchay was signed.”

“Besides, tar was used by regional countries such as Armenia, Georgia, Iran, Tajikistan as a common musical instrument,” Vejdani concluded.

 

 

Source: Panorama.am

Link to comment
Share on other sites

  • 5 weeks later...

PERFORMANCE ART OF THE TAR HAS DEVELOPED THANKS TO ARMENIANS

Artak Barseghyan

 

"Radiolur"

http://www.armradio.am/en/2013/01/10/performance-art-of-the-tar-has-developed-thanks-to-armenians/

18:26 10.01.2013

 

Armenian gusans have been playing Tar for centuries. However,

Azerbaijan once decided to 'appropriate' it on the international

level and present it as their national instrument. Artistic director

and conductor of the "Sharakan" ensemble Daniel Yerazhisht describes

this campaign as another falsification of Baku.

 

According to him, the step should be severely criticized, as it

has nothing to do with reality. The trends in Baku are troublesome,

as the cultural field is also being mined, he added.

 

Daniel Yerazhisht said many Tar players in Azerbaijan were of Armenian

descent, and this was widely spoken about in the Soviet times.

 

Artistic director and conductor of "Tkzar" ensemble Karlen Mirzoyan

started playing Tar at an early age. According to him, the disputes

over this musical instrument are not new. He added that the performance

art of the Tar has developed thanks to Armenians.

 

Karlen Mirzoyan believes a film about the Armenian musical instruments,

including the Tar, should be shot and presented to the international

community. According to him, this will help prevent the dissemination

of Azerbaijani lies in this field.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

Loading...
×
×
  • Create New...